“time space motion”
recorded by Shinkan Tamaki
Length 00:28:30
Aspect ratio 16:9
FHD or UHD, color, stereo(part sound)
Shooting format: digital video
Screening format: digital file
Production year and country: 2017, Japan
興味のあるオーガナイザーの方がいたら気軽にメールください。プレビューリンク送ります。
This is my new video work. To programmer and curator, please let me know if you’re interested. I’ll send you the preview link.
“Sound Screening” explores expansion of visual and auditory sensation. minoru sato –m/s is an artist who captures physical elements and phenomena by his self‐made device. He will show a work about interaction of light, heat and sound. Shinkan Tamaki will show his latest video work which observes earth rotation, change in the atmosphere, spatial form, and so on.
2nd July 2017, Sunday
open 16:30
start 17:00
admission¥1,500 with 1 drink order
〈line-up〉
minoru sato –m/s
Shinkan Tamaki
〈Venue〉
TOKYO OKAPPA-CHAN HOUSE
3-30-8 Kamishakujii Nerima-ku Tokyo
Map https://goo.gl/maps/jBVEq
Kami-Shakujii Sta. on Seibu-Shinjuku line, 5 minute walk from North exit.
https://www.okappachan.com/
To make a reservation, please send an email to mare_films[at]yahoo.co.jp.
〈profile〉
minoru sato –m/s
minoru sato -m/s is a japanese artist. he has an interest in a relationship between a description of nature and an art representation, and he is creating art works per physical phenomena and various concepts. in addition, he has several music projects – solo, collaboration with ASUNA and so on. He had run an artist label called ‘WrK(1994-2006)’ Moreover, He has researched Alvin Lucier’s works lately. http://www.ms-wrk.com/
Shinkan Tamaki
Born in 1982, Japan. Artist in search of never-before-seen images and new perceptual experience. He started making moving image with 16mm film in 2006. Main theme is to lead the audience’s perception to change naturally and sometimes drastically bycoming and going across borders between image and non-image, sound and image with extracting film’s materiality. The works have been screened at many film festivals, including International Film Festival Rotterdam. Recently, He performs to transform optical phenomenon into moving image.
Artist in search of never-before-seen images and new perceptual experience.
伊東篤宏 / Atsuhiro Ito
1965年生まれ。
1980年代後半より美術作家として活動を始める。98年から展覧会などでサウンド・パフォーマンスを開始し、インスタレーション作品と同素材である蛍光灯を使用した自作音具「オプトロン」を制作。数々の改良を加えつつ現代美術側からの音あるいは音楽へのアプローチを続けている。数々の個展やソロ・パフォーマンスのほかに、進揚一郎(ドラムス)との爆音エクストリーム・オプチカル・ノイズコア・バンド「Optrum」など、いくつかのユニットでも活動中。2000年より2005年まで東京、代々木でギャラリー / フリー・スペース「Off Site」の音(音楽)と映像関連のイヴェントなどを担当。2006年6月、Optrum でアルバム『recorded』をUNKNOWNMIX(HEADZ)よりリリース。
Atsuhiro Ito was born in 1965. He launched his career as a visual artist in the late ’80s, and in ’98 began presenting sound performances at art exhibitions and so on. Ito made use of fluorescent lighting (which is also an element of his art installations) in the creation of an original musical device called the optron. He continues to refine the instrument while approaching sound and music from a contemporary-art-based perspective. In addition to his solo exhibition and performance projects, Ito is active in a number of musical units. One of these is Optrum, the explosively loud “extreme optical noise core band” consisting of Ito and drummer Yoichiro Shin. Between 2000 and 2005 Ito presented various sound (music)/visual image-related events at Off Site, the now-defunct gallery/free space in Yoyogi, Tokyo. The Optrum album Recorded was released in June 2006 on the label Unknownmix (Headz).
Musician who lives in Tokyo, Japan. 2013 Performed in Sweden (Fylkingen and other), 2014 Thailand, 2015 UK (TUSK Festival). “Reizen takes inspiration from Andrew Chalk’s stately environmental recordings and transposes the approach to solo electric guitar using looped phrases and a variety of strategies that range from bowed/teased string work through full-on psych face-offs.” – Volcanic Tongue